My Guitar Teacher’s Face When I Play
There’s this moment every Tuesday at 3 PM when my guitar teacher’s eyebrows do this microscopic twitch. I’ve been taking lessons for eight months now, and I can play exactly three songs badly. Not three songs well and working on a fourth. Three songs that sound like they’re being performed by someone wearing oven mitts.
The twitch happens right after I finish “Wonderwall” (yes, that Wonderwall) and he realizes I’ve somehow made it worse since last week. But here’s the thing: I keep showing up. And somewhere between my butchered chord progressions and his patient corrections, I’ve stumbled onto something valuable about being deliberately terrible at things.
The Swimming Pool Revelation
Last month I signed up for adult swim lessons at the community center. Picture this: a 32-year-old flailing around in the shallow end while eight-year-olds lap me. Literally. Little Madison with the unicorn goggles has better form than I’ll probably ever have.
The instructor, bless her, treats us all the same. “Reach, pull, breathe,” she calls out while I’m doing what can only be described as aggressive drowning in four feet of water. After six weeks, something clicked. Not swimming clicked. I still look like I’m fighting the water for my life. What clicked was the realization that being bad at something doesn’t disqualify you from doing it.
My recommendation: find a beginner’s class in something you’ve always assumed you couldn’t do. Not because you’ll get good at it (you might not), but because watching yourself be terrible with intention teaches you things about persistence that no self-help book ever will.
Pottery and the Wisdom of Wonky Bowls
Every Thursday evening, I sit at a pottery wheel and create objects that defy both physics and aesthetics. My bowls look like they were made during an earthquake. My mugs have handles that suggest the potter had never seen a mug before, only had one described to them by someone who was also unfamiliar with mugs.
But here’s what I’ve learned from my collection of ceramic disasters: there’s something freeing about making things that will never be Instagram-worthy. My neighbor Sarah makes pottery too, except hers looks like it belongs in a gallery. Mine looks like it belongs in a “What Not to Do” instructional video.
The difference isn’t talent. Sarah’s been doing this for twelve years, and I’ve been doing it for twelve weeks. But we’re both sitting at the wheel, both getting our hands muddy, both creating something that didn’t exist before. My wonky bowls hold soup just fine.
The Japanese Garden of Bad Watercolors
I bought a set of watercolors six months ago after watching someone paint delicate cherry blossoms on YouTube. My cherry blossoms look like pink explosions. My landscapes resemble crime scenes. But I keep painting.
Last weekend, I set up my easel in the park and attempted to capture the morning light on the pond. A woman walking her dog stopped and watched for a moment. I braced myself for polite encouragement or helpful suggestions. Instead, she said, “I love that you’re out here doing this.” Not “I love your painting.” Just that I was doing it.
Here’s the thing about being publicly bad at something: it gives other people permission to be bad too. The woman told me she’d been wanting to try plein air painting but felt intimidated. Two weeks later, I saw her at the same spot with her own easel, creating her own beautiful disasters.
The Permission to Be Amateur
We live in a world of experts and influencers, where everything you put out into the world feels like it needs to be polished and professional. But there’s something radical about embracing amateur status. Not beginner’s mind, which sounds too zen and intentional. Just plain old being bad at stuff and doing it anyway.
My guitar teacher eventually stopped twitching. Not because I got better (though I can now play four songs badly), but because he realized I wasn’t there to become the next acoustic sensation. I was there for the pure joy of making sounds that vaguely resemble music. Sometimes that’s enough.
If you’re looking for permission to suck at something new, consider this it. Find a class, buy some supplies, show up consistently to your own mediocrity. The world has enough experts. What it needs more of are people willing to be terrible at things with enthusiasm.









